Brattishing #24
October 8, 2009 – 8:37 am | No Comment

Brattishing: A decorative flurry of architectural links including JULIUS SHULMAN, TRAHAN ARCHITECTS, SILVA DIAS ARQUITECTOS, GABION, THE CITADEL, MASONIC SYMBOLISM, 2009 ARCHITECTURAL 3D AWARDS, STAINED GLASS, RE-INVENTING CITIES, BODY BAROQUE

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Home » building archaeology, building conservation, church architecture, english gothic architecture, fixtures and fittings, gothic architecture, styles: gothic

Saint Werburgh’s – stripped of modernity?

Submitted by Andy Marshall on October 25, 2009 – 2:45 pm2 Comments

_MG_2866-EditOld Saint Werburgh’s, Cheshire – under the care of The Churches Conservation Trust

It is an often quoted cliche that when you visit a historic building you feel as though you are ‘travelling back in time’. Walking through the arched doorway and up towards the chancel of Old Saint Werburgh’s in Cheshire, it felt like I was slowly being stripped of every vestige of modernity. After spending just one hour there, the entrapments of my hectic life seemed a little less than fickle, but the spatial characteristics seemed somehow familiar. The fact is that  this type of timber framed construction, with the frame held together by tension, allowed a fluidity of plan which was not to be witnessed for another 600 years.

_MG_2908-Edit_09-Edit_10-Edit-Edit“Inside the light is diaphanous, and the atmosphere is medieval”

The church is one of a handful of surviving timber framed parish churches in England, and the site has a history which reaches far back into the C12th when a monastery was thriving nearby.

The exterior was re-built in the early C17th, but the timber framed interior is it’s raison d’etre.

Inside the light is diaphanous, and the atmosphere is medieval. It is a space which rewards with movement. Nave and chancel are given linear definition with splayed tree like timbers (some of which have been dated to the early C14th). The spaces defined within, are characterised by the filtered light and have such a hypnotic, bibulous air that you feel yourself being drawn through towards the altar.

_MG_2988-Edit-2And2more-EditLooking towards the chancel, the timbers in the foreground have been dated to the early C14th

_MG_2854-EditNave and chancel

_MG_2987Ceiling View

_MG_2932“Nave and chancel are given linear definition with splayed tree like timbers”

Upon arrival at the altar, you are struck by the sharp juxtaposition of the indulgent Victorian encaustic tiles vying with the lyrical Jacobean pulpit under an angular vernacular trussed roof. It is a real liberty to see the organic evolution of structure, pattern and decoration over several hundred years within a few square yards.

_MG_2920-Edit_1-Edit_2-EditThe chancel

_MG_2881-EditThe altar

_MG_2956-EditThe Jacobean pulpit, 1645

_MG_2959-EditVictorian encaustic tiles, 1857, by Minton

_MG_2969Stained glass to east window, 1857 , by Wailes

Every vista is a visual feast, with the emphasis on simplicity of line and space; but, if you look hard enough, there are wonderful details waiting to be discovered. These include scribed words hidden in the quarries of a window, and painted psalms behind the peeling limewash of the chancel wall.

Capture“…if you look hard enough, there are wonderful details waiting to be discovered”

_MG_3124W. J. Shaw, 1896

_MG_2965“Painted psalms behind the peeling limewash of the chancel wall”

To the right of the chancel a hollow doorway reveals a sombre reminder of the funereal entrapments of another age. It leads through to an ante-room which is occupied by a coffin carrier and cart.

_MG_3008“Sombre entrapments of another age..”

Visiting a church such as this makes the patchy distant past more tangible. It places real history at your fingertips. Suspend your disbelief, for a short moment and you might think that you are part of a medieval passion play. Such buildings keep us in direct contact with our ancestors, and are an inextricable part of our culture and our identity.

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Saint Werburgh’s is now redundant, but this little gem survives because of the care and patronage of The Churches Conservation Trust. Without it, the churches future would probably be perilous and access would be limited to the privileged few.

The Churches Conservation Trust  does a sterling job in looking after over 300 churches throughout England, and helps maintain buildings and access when it would otherwise be impossible to do so.

You can see if there is a Churches Conservation Trust church nearby by visiting their website here.

Andy Marshall is an architectural photographer and commentator – more here

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